The composition is organized by the diagonal of depth to create space. One of the women is from the

This is one of the cards, in oil on canvas, by Goya as a basis for a carpet of Royal Carpet Factory of Santa Barbara, founded by Charles III. It was part of a series intended to decorate the room, and bedroom chamber, the Prince and Princess of Asturias at the Palacio Real de El Pardo. The prospect of bottom-up and format indicate that the piece was destined for a sobreventana. The Habsburgs as good Flemish, introduced the custom of decorating with rugs and Bourbons kept this habit. After his initial imaginary foundation training in Zaragoza and a trip to Italy will be fundamental in the evolution of his style, Francisco de Goya y Lucientes ends settled imaginary foundation in Madrid as a painter of cards in 1775 thanks to the mediation of his brother Francisco imaginary foundation Bayeu, one of the directors the Royal Factory. He made a total of four series, the first on hunting and fishing, which served as the basis for access to the Court, will be appointed court painter of King in 1789, and his social triumph. The subjects imaginary foundation were scenes of carpets popular and majos majas, character gentle, imaginary foundation optimistic, carefree and light. Madrid reflect life through idealized figures imaginary foundation and gallant in bright colors and vivos.Se well indicate some glimpses of social criticism, but there is no such that respond to a concern, typical of the Enlightenment, by customs and festivals. CONTEXT
In this second half of the eighteenth century, Spain's Bourbon imaginary foundation reformism adopts the aesthetics imaginary foundation neoclassicist released by the Academy of Fine Arts of San Fernando as a reaction against the Baroque and Rococo their derivation. But soon the art marked by Enlightenment rationality is too uniform, and little normativizada naturalist, leading to limit individual creativity. His prime example was David French. Thus another stream born in Britain began to expand: Romanticism. imaginary foundation If time remained during embryonic state in the fall of Napoleon who was identified Neoclassicism, did eclosionar. The new nations and the bourgeoisie will identify best art dominated by a sense of rebellion and individual marked by liberal uprisings against imaginary foundation the established power (Restoration). The romantic artists imaginary foundation of the first half of the nineteenth investigate it in the Middle Ages in the past classic, reflect the events of the moment, freed of the guidelines of the Academies and are carried away in his painting, by subjectivity, by color, by the lights vibrant, dynamic compositions by. Its maximum is representative Delacroix. This axis between imaginary foundation Neoclassicism and Romanticism lies Goya who started in the decorativismo Baroque to Neoclassicism survived and created imaginary foundation a personal style that sets the basis for much of the paint nineteenth and early twentieth centuries (Romanticism, Impressionism, Expressionism and Surrealism, mainly ). Its free and individualistic personality beyond all stylistic classification, although always considered that his teachers were Velázquez, imaginary foundation Rubens imaginary foundation and Nature. In the political life of the long Goya runs from the reign of Charles IV to the Fernando VII. He lives as a time of great instability that passes imaginary foundation through the Enlightenment, the French Revolution, the War of Independence, the Restoration absolutist and liberal revolts. Under artistic tireless artist, works with different techniques (oil, drawing, engraving) imaginary foundation and genres (portrait, landscape, mythology, religious)
His life was marked by two events, a band War of Independence (Reason died and the monsters go loose) and another disease that leaves him deaf and so is isolated at home, the Q Uinta the Deaf, where he will out the impressive set of black paint. We could distinguish the following stages
- Arrival at Madrid in 1775 and win. The cards for carpets (Oleiro Valencia, the parasols), portraits of Court (Carlos III hunter, Family of Charles IV, Majas) and nobility (Duchess of Alba, Countess of Chinchon), and the prints of the Caprichos (Sleep of Reason imaginary foundation Produces Monsters)
From a point of view somewhat elevated, presented in the left foreground, a potter and his Valencian post ware for sale where three women, two girls and one old, weighs the merchandise. In the background a car horse crosses from left to right, it travels imaginary foundation a lady. Basically, after the group of women on the left, the city blurred imaginary foundation between the mists guess that some constructions, highlighting the big tower.
The composition is organized by the diagonal of depth to create space. One of the women is from the bottom to the dog's first term, one of the potter's palafreneiro passing by men who look to the lady sitting in the way Veira. Is this the main line of movement in the middle of stillness that dominates the scene, as a photographic snapshot it were.
Create several centers of interest and mixing imaginary foundation different s